WWFM The Classical Network

Change That Chord

The importance of noticing re-harmonization in music is demonstrated utilizing the piano music of Bela Bartok and Claude Debussy. Host George Marriner Maull plays and speaks about a simple Slovakian…

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Hallelujah Part 1

We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…

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Hallelujah Part 2

Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…

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One Good Fugue

Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…

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Scared ya Didn’t I?

Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…

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The Point

Host George Marriner Maull uses Claude Debussy’s La Mer, Movement 2, to illustrate a favorite concept of composer Sergei Rachmaninoff. Rachmaninoff believed that every movement of music had a moment…

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This has been an incredible series. I could take in SO much more than I could at the beginning ones. You have really trained my ears!!! I have been enjoying classical music for more than 60 years (as a child my parents played classical music at dinner and we guessed the composer) but I NEVER knew how to listen before!

— Attendee of NJPAC Classical Conversations with Maestro Maull

 

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