The Joke’s On Us
Have you ever attended a symphony orchestra concert or chamber music recital, when suddenly the person next to you began to chuckle or laugh under their breath. You may have…
WWFM The Classical Network
Why Do They Write That Way?
Maestro Maull jumps headlong into the dissonant writing of early 20th Century composers. . .from the perspective of asking what their motivations for composing in such a fashion might be….
Pedal Point City
This harmonic device has been used for hundreds of years and derives its name from a compositional practice employed by church organist-composers like Bach. In this episode George Marriner Maull…
3-2-1 Blast Off
The psychological skill of elaboration – the ability to develop an idea or create variations of an idea – is explored in the Finale of Symphony No. 3 by Camille…
One Good Fugue
Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…
Scared ya Didn’t I?
Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…
Thank you for providing the free online learning videos! We had our students listen to The Firebird Suite Lullaby & Finale and read an article where researchers found evidence that a conch shell was used as an instrument 17,000 years ago. Then students drew a picture (grades K-2) or wrote (grades 3-8) about how the music made them feel.