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A Nocturne Not by Chopin

Claude Debussy wrote three nocturnes for symphony orchestra, bearing absolutely no resemblance to the eighteen by Chopin for solo piano. In this episode George Marriner Maull takes a look inside…

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Beethoven’s 9th – the Last 10 Minutes Part 1

The last ten minutes of the final movement of Beethoven’s final symphony are so full of emotionally moving detail that host George Marriner Maull devotes two episodes of Inside Music…

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Beethoven’s 9th – the Last 10 Minutes Part 2

Maestro Maull continues to reference text painting as he looks at Beethoven’s incredible ability to make Friedrich Schiller’s words so much more powerful than they would be were they just…

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The Joke’s On Us

Have you ever attended a symphony orchestra concert or chamber music recital, when suddenly the person next to you began to chuckle or laugh under their breath. You may have…

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Why Do They Write That Way?

Maestro Maull jumps headlong into the dissonant writing of early 20th Century composers. . .from the perspective of asking what their motivations for composing in such a fashion might be….

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A Belated Valentine

The creation of emotional tension and the release of it is a common aesthetic goal among all composers of wordless, abstract music. The moment of greatest emotional intensity in a…

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I was thrilled when I finished listening to your second episode of my favorite piece of music. I always got emotional when I ‘heard’ the second movement of Beethoven’s Seventh [Symphony], but this time I was deeply touched as I could do much more than just ‘hearing’, I could finally ‘listen’ to Beethoven!

— Inside Music radio listener

 

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