Classical

Hallelujah Part 1

We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…

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Hallelujah Part 2

Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…

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One Good Fugue

Host George Marriner Maull delves into a fugue with an unusual subject, or main melody. Taken from the first movement of Handel’s Concerto Grosso, Op.6, No. 7., this grand master…

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Scared ya Didn’t I?

Composer Johannes Brahms knew well the shock effect of sudden dynamic changes. George Marriner Maull exposes this Brahms trait as found in Movement 4 of Brahms’s Symphony No. 2. Inside…

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The Point

Host George Marriner Maull uses Claude Debussy’s La Mer, Movement 2, to illustrate a favorite concept of composer Sergei Rachmaninoff. Rachmaninoff believed that every movement of music had a moment…

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A Little Bach Music

Host George Marriner Maull explores the difference between hearing and listening while exploring details of the final movement of Brandenburg Concerto No. 4. Aspects of Bach’s use of the elements…

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What a great idea to do this. It looks and sounds fantastic. I LOVED the music, the animated lettering and the design for Notes from Under the Piano…It takes a special gift to transform the written word into the spoken word…And the length is perfect, left me wanting more…

— ‘Notes from Under the Piano’ viewer

 

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