Beethoven’s 9th – the Last 10 Minutes Part 2
Maestro Maull continues to reference text painting as he looks at Beethoven’s incredible ability to make Friedrich Schiller’s words so much more powerful than they would be were they just…
Classical
A Belated Valentine
The creation of emotional tension and the release of it is a common aesthetic goal among all composers of wordless, abstract music. The moment of greatest emotional intensity in a…
Gentle Goodbyes
The first and final movements of many symphonies and concertos end with a bang! “Send them home on a high note!” But that is not universally the case. George Marriner…
The Joke’s On Us
Have you ever attended a symphony orchestra concert or chamber music recital, when suddenly the person next to you began to chuckle or laugh under their breath. You may have…
Why Do They Write That Way?
Maestro Maull jumps headlong into the dissonant writing of early 20th Century composers. . .from the perspective of asking what their motivations for composing in such a fashion might be….
This has been an incredible series. I could take in SO much more than I could at the beginning ones. You have really trained my ears!!! I have been enjoying classical music for more than 60 years (as a child my parents played classical music at dinner and we guessed the composer) but I NEVER knew how to listen before!