A Nocturne Not by Chopin
Claude Debussy wrote three nocturnes for symphony orchestra, bearing absolutely no resemblance to the eighteen by Chopin for solo piano. In this episode George Marriner Maull takes a look inside…
Claude Debussy wrote three nocturnes for symphony orchestra, bearing absolutely no resemblance to the eighteen by Chopin for solo piano. In this episode George Marriner Maull takes a look inside…
The last ten minutes of the final movement of Beethoven’s final symphony are so full of emotionally moving detail that host George Marriner Maull devotes two episodes of Inside Music…
Maestro Maull continues to reference text painting as he looks at Beethoven’s incredible ability to make Friedrich Schiller’s words so much more powerful than they would be were they just…
The creation of emotional tension and the release of it is a common aesthetic goal among all composers of wordless, abstract music. The moment of greatest emotional intensity in a…
The first and final movements of many symphonies and concertos end with a bang! “Send them home on a high note!” But that is not universally the case. George Marriner…
Have you ever attended a symphony orchestra concert or chamber music recital, when suddenly the person next to you began to chuckle or laugh under their breath. You may have…
I was thrilled when I finished listening to your second episode of my favorite piece of music. I always got emotional when I ‘heard’ the second movement of Beethoven’s Seventh [Symphony], but this time I was deeply touched as I could do much more than just ‘hearing’, I could finally ‘listen’ to Beethoven!