Discovery Orchestra Chat 122 – Tchaikovsky Symphony No. 4 Part 1
Maestro Maull begins the exploration of the 4th and final movement of Tchaikovsky’s Symphony No. 4 in this first of eight Discovery Orchestra Chats on the piece!
Maestro Maull begins the exploration of the 4th and final movement of Tchaikovsky’s Symphony No. 4 in this first of eight Discovery Orchestra Chats on the piece!
My first encounter listening to a symphony orchestra remains permanently fixed in my memory. Not so with jazz. My love of jazz gradually seeped into my being over time –…
contributor Mark Vanhoenacker offered yet another in the unending series of obituaries for classical music on January 21, 2014, entitled Requiem – Classical Music in America is dead. Vanhoenacker quotes…
No, I’m not speaking of the precious collectible created by oysters and other mollusks, but of violinist Itzhak Perlman. I have enjoyed his playing for decades and feel privileged to…
The orchestral version of Pelleas et Melisande is used to illustrate Gabriel Faure’s lilting Sicilienne rhythm – listen for the prominence of the harp and flute in this Chat!
The hunt continues! Find the underlying pulse, or beat, in a piece of music. Maestro Maull uses Handel’s Pifa (Pastorale) from Messiah to illustrate.
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.