Let’s Get Serious
Johannes Brahms’s ability to distort our sense of rhythm is always lying in wait. Turn the corner… and we suddenly lose our rhythmic balance, and Maestro Maull is certain that…
Johannes Brahms’s ability to distort our sense of rhythm is always lying in wait. Turn the corner… and we suddenly lose our rhythmic balance, and Maestro Maull is certain that…
When film composer Elmer Bernstein scored the 1983 comedy hit Trading Places, he chose Mozart’s Overture to The Marriage of Figaro to be the musical centerpiece of the film. However, he also intentionally paraphrased other orchestral works. Let’s…
The romantic music of Alexander Borodin is explored in this episode of Inside Music. Maestro Maull will focus on the Polovtsian Dances from Borodin’s opera Prince Igor. These dances were a favorite composition of…
Host George Marriner Maull keeps the holiday spirit going with Waltz of the Flowers from Tchaikovsky’s The Nutcracker. Normally performed perhaps a thousand times worldwide at this time of year,…
What makes an invisible art form like music visible? What helps you stay present with the music as it invisibly progresses through real time? Learn about “Blueprints” and “Listening Guides”…
With the Covid pandemic still very much affecting social behavior, we are perhaps – depending on our personal view of the situation – being spared the annual bombardment of our…
I was thrilled when I finished listening to your second episode of my favorite piece of music. I always got emotional when I ‘heard’ the second movement of Beethoven’s Seventh [Symphony], but this time I was deeply touched as I could do much more than just ‘hearing’, I could finally ‘listen’ to Beethoven!