Thou Shalt Not
The intense feelings associated with forbidden love – in this case between a woman and her brother-in-law – are given musical voice in Gabriel Faure’s romantic Suite from Pelleas et…
Composer E-L
Hallelujah Part 1
We know that the chorus, Hallelujah, from Handel’s Messiah, stirs us from the soles of our feet to the top of our head. Host George Marriner Maull sheds light on…
Hallelujah Part 2
Handel always knew a good tune when he heard one and never hesitated to borrow them. In this episode George Marriner Maull investigates the fugue subject Handel ‘borrowed’ from Corelli…
Inside Music
Are you a radio listener? And, if you are, where are you when you are doing this? For many people the answer is: “Yes” to the first question and “in…
How Do I Listen? A Performer After My Own Heart!
Rachel Deloughrey, primephonic editor, interviewed violinist Augustin Hadelich on this very topic. The young superstar in the classical music world says some striking things: “When I perform violin concertos, they…
Our Sagging, Flabby Attention Spans
Anne Quito, design and architecture reporter for Quartz recently wrote an excellent article, headlined: The classical music concert is a vital workout for our sagging, flabby attention spans. Anne puts…
Marvelous job, Maestro, as always! Thank you for doing such a splendid, insightful and careful deep-dive into the art and craftsmanship that Tchaikovsky, after much effort, put into creating this work. There really is no greater portrayal of young love in music than his Romeo and Juliet, and your thoughtfulness demonstrates it so admirably.